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Classical music and opera by Classissima

Serguei Prokofiev

Thursday, March 23, 2017


Meeting in Music

March 21

Recent updates to previously posted music

Meeting in Music03/17/17 Spanish School #1 +1CD Granados, Goyescas by Cristina Ortiz (1989) 03/17/17 Spanish School #1 +1DDL Granados, Goyescas by Daniel Del Pino (2009) 03/11/17 Debussy #4 +1DDL Etudes by José Eduardo Martins (2010) 03/1/17 Debussy #4 +1CD Etudes by Pascal Rogé (2009 recording) 02/23/17 Second Viennese School Ess.ls #3 +1CD Pierrot Lunaire by Salome Kammer & Hans Zender (a rip by John H.) 02/18/17 Schoenberg Piano Music +1DDL Complete set by Pina Napolitano (2012) 02/16/17 Debussy #4 +2CDs Etudes by Garrick Ohlsson, both the 1988 and the 2013 recordings 02/11/17 Prokofiev #1 +1CD 2nd Piano Concerto + Tchakovsky's 1st by Beatrice Rana & Antonio Pappano in Rome 02/1/17 Musique Française #3 +1CD Rameau & Royer's Pièces de clavecin by Jean Rondeau ('Vertigo') (2015) 01/28/17 Rare Grooves #2 +1LP Schubert's Symphonies Nos. 5 & 8 by Böhm in Vienna (1982) (a transfer by Enrico B.) 01/28/17 Rare Grooves #2 +1LP Haydn's Symphonies Nos. 29, 30, 31 by Dorati in Budapest (1975) (a transfer by Enrico B.) 01/21/17 Summer Nights #3 +1CD Mendelssohn's 3rd & 4th Sym. by Heras-Casado in Freiburg (2015) (a rip by Enrico B.) 01/21/17 Summer Nights #3 +1LP Mendelssohn's 1st & 2nd Sym. by Sawallisch in London (1967) (a transfer by Enrico B.) 01/19/17 Murray playing Bach Organ Works New links in the posting 01/18/17 Musique Française #2 +1DDL Respighi's Fountains & Pines of Rome, The Birds by Louis Lane in Atlanta (1985) 01/11/17 Debussy #3 +1DDL Jeux & Images pour Orchestre by Tilson Thomas in San Francisco (2014) 01/10/17 Musique Française #2 +1CD Saint-Saens' 1st Cello Concerto by Tortelier & Frémaux in Birmingham (1974) 01/03/17 Summer Nights #10 +1CD Elgar's Cello Concerto by Paul Tortelier & Charles Groves in London (1988) 12/29/16 Goodbye 2015 +1CD Monteverdi's Selva morale e spirituale by William Christie (1987) 12/26/16 Musique Française #3 +1CD set Berlioz's L'enfance du Christ by C. Davis in London (1976) (a rip by Enrico B.) 12/19/16 Wintery Romantics +1CD Tchaikovsky's 'Pathétique' Symphony by Giuseppe Sinopoli in London (1989) 12/16/16 Summer Nights #11 +1CD Gesualdo's Tenebrae responsories by the BBC Singers & Bo Holten (2004) 12/16/16 Summer Nights #10 +1CD set Byrd and Taverner: Masses, by David Willcocks in Cambridge (1963) 12/12/16 Schubert #1 +1CD Sonata D.894 & Impromptus D.899 by Daniel Levy in London (1997) 12/11/16 Summer Nights #9 +1CD Volkmann's Cello Concerto & Serenades by H. Karni & M. Pommer (Hamburg 1997) 12/9/16 Mozart: Nachtmusik Added missing track #9 (+New cue file and log) 12/5/16 Stravinsky #2 +1DVD Petrushka + Blacher's Paganini Variations by Zubin Mehta in Florence 1995 12/5/16 Opera Favourites #3 +1DVD Verdi: 4 Pezzi Sacri by Claudio Abbado in Stockholm 1998 (+ Debussy's Nocturnes) 12/3/16 Second Viennese School Ess.ls #4 +1CD Schoenberg's Pelleas + Variations Op. 31 by Zubin Mehta in Tel Aviv 12/3/16 In the Name of Music +1CD Orff's Carmina Burana by James Levine in Chicago (1984) (a rip by Cunctator) 11/29/16 Summer Nights #2 +1CD Korngold's Piano Music by Ingrid Jacoby (1998) 11/29/16 Wintery Romantics +1CD Grieg & Schumann, Piano Concertos by Ingrid Jacoby in London (2005) 11/21/16 Poulenc +1CD Motets, 7 Chansons, Mass, Figure humaine by the Grex Vocalis choral ensemble (1999) 11/18/16 Musique Française #1 +1 CD Ravel Tombeau, Fauré Masques & Pavane by the Orpheus Chamber Orch. (1995) 11/18/16 Musique Française #3 +1CD set Ravel's piano music by Jacques Rouvier (1974) 11/15/16 Prokofiev #1 +1CD Concertos Nos. 1 & 3 with Gary Graffman & George Szell in Cleveland (1966) 11/15/16 In the Name of Music +1CD Orff's Carmina Burana by Richard Hickox in London (1987) 11/14/16 American Classics +1CD Ives & Creston's Symphonies no. 2 by Neeme Neeme Järvi in Detroit (1995) 11/13/16 Shostakovich #2 +1CD Suites from 'The Gadfly' and 'Pirogov' film scores by José Serebrier (1987) 11/13/16 Shostakovich #1 +1CD Semyon Bychkov's 5th in Berlin (1986) now from original CD 11/11/16 The Odd Couple +1CD Mozart Concerto No. 13 + Beethoven's 'Eroica' by Barenboim in Versailles (1997) 11/11/16 The Odd Couple #2 +1CD Mozart's Requiem by Riccardo Muti in Berlin (1987) 11/8/16 Rachmaninov #2 +1DVD Rip Concerto no. 3 with Giorgia Tomassi in Tel Aviv (1992) 11/8/16 The Long Goodbye +1CD Mozart & Weber's Clarinet Quintets by Eduard Brunner & the Hagen Quartett (1987) 11/7/16 Summer Nights #1 +1CD Korngold & Schmidt Chamber Music with Piano Left Hand by Leon Fleisher (1993) 11/4/16 Mahler Lieder +1CD Fischer-Dieskau's Gesellen & Kindertoten + Wolf's Lieder in the 50s (a rip by Corrado D.) 11/4/16 Wintery Romantics +1CD Dvorak Cello Concerto & Tchaikovsky's Rococo' by Christine Walevska (1971) 11/3/16 Rare Grooves #2 +LP set Vivaldi's Il Cimento Op. 8 by I Musici and Felix Ayo (1959) (a transfer by Enrico B.) 11/1/16 Summer Nights #11 +1CD Chinese Ancient Classical Music by Xiaming (2001) 11/1/16 Debussy #4 +1CD Etudes, Images oubliées, Estampes, Suite Bergamasque by Roger Woodward (1997) 11/1/16 American Classics +1CD Copland's Piano Works (Blues, Sonata, Rodeo, Salon) by Eugenie Russo (1995) 11/1/16 American Classics +1CD Copland's Tender Land & Red Pony Suites by James Sedares in Phoenix (1991) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & The Firebird Suite by James DePreist in Portland (2000) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & Apollo by Jaap van Zweden in Hilversum (2006) 10/17/16 Mahler Lieder +1CD Wyn Morris 1966 Des Knaben Wunderhorn (J. Baker & G. Evans) (a rip by Leroy V) 10/12/16 Musique Française #2 +1CD Debussy, Ravel, Poulenc, Saint-Saens: Violin Sonatas by Kang & Devoyon (2003) 10/11/16 Darmstadt #4 +1CD Carter's Piano & Cello Sonatas + works by Del Tredici, Helps & Persichetti 10/11/16 Brahms Piano & Chamber Gems +1CD Clarinet & String Quintets by D. Shifrin and Chamber Music N-W 10/11/16 Darmstadt #3 +1CD Boulez's Structures for 2 Pianos by the Kontarsky Duo (1965) 10/8/16 Spanish School #2 +1CD set Albeniz's Iberia by Olivier Chauzu (2008) 10/4/16 Strauss #3 +1CD Oboe Concerto by Douglas Boyd & Paavo Berglund (1986) (+ Mozart's K. 314) 10/4/16 Strauss #3 +1CD set Heldenleben & Zarathustra with Zubin Mehta in L.A. (1968) (a rip by Dante B.) 10/3/16 Bartok #5 +1CD The wooden Prince & Hungarian Pictures by Neeme Jarvi in London (1990) 10/3/16 Bartok #5 +1CD The wooden Prince & Dance Suite by Ivan Fischer in Budapest (1996) 10/1/16 Haydn Quartets Op. 9 New links added for the original release from the 1990's. Disc scans and inside cover scans are included in the new scans link. Scroll to the bottom of the comments section for the new links. 9/22/16 Prokofiev #1 +1DVD Romeo & Juliet: Royal Ballet Covent Garden, Alessandra Ferri & Wayne Eagling (1984) 9/21/16 Prokofiev #2 +1CD 1st Symphony, Love for 3 Oranges & Lieutenant Kijé by Lorin Maazel in Paris (1985) 9/21/16 Prokofiev #2 +5CDs 5th Symphony by: Y. Levi, V. Handley, Y. Temirkanov, J. Martinon & G. Noseda 9/20/16 Prokofiev #1 +3CDs Romeo & Juliet (Excerpts) by Claudio Abbado, Claus Peter Flor & Yoel Levi 9/20/16 Prokofiev #1 +1CD set Cinderella complete ballet by Vladimir Ashkenazy in Cleveland (1983) 9/20/16 Prokofiev #1 +1CD set Romeo & Juliet complete ballet by Valery Gergiev in St. Petersburg (1990) 9/20/16 Prokofiev #1 +2 CDs Alexander Nevsky & Scythian Suite by Valery Gergiev (2002) & Neeme Jarvi (1988) 9/14/16 Spanish School #2 +1CD Spanish & Argentine Flamencos played by Paco Peña & Eduardo Falú (1989) 9/14/16 Spanish School #2 +1CD Montoya & Ricardo: Flamencos, played by Paco Peña (1987) 9/13/16 Spanish School #3 +1CD Spanish 20th Century Guitar Works by Agustin Maruri (1995) 9/13/16 Spanish School #1 +1CD Guitar Music of Ponce, Piazzolla, Barrios played by Manuel Barrueco (1997) 9/12/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1980) 9/12/16 Rachmaninov #2 +3CDs Piano Concertos & Paganini Rhapsody by T. Vasary & Y. Ahronovitch (a rip by Dante B.) 9/12/16 Bruckner +1CD set Symphony No. 8 by Giulini in Vienna 1985 (a rip by Dante B.) 9/10/16 Summer Nights #11 +1CD Vivaldi's Le Quattro Stagioni by Gil Shaham & the Orpheus C.O. (1993) 9/10/16 Wintery Romantics +1CD Smetana's Ma Vlast by Vaclav Talich in Prague (1954) (a rip by Corrado D.) 9/10/16 Prokofiev #1 +1CD 1st Violin Sonata (+ Debussy & Janacek) by V. Mullova & P. Anderszewski (1994) 9/10/16 Prokofiev #1 +1CD The War Sonatas by Vladimir Ashkenazy (1995) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Tchaikovsky's 1st by Noriko Ogawa & Gennady Rozhdestvensky (1989) 9/10/16 Prokofiev #1 +1 CD set The 5 Piano Concertos by Vladimir Krainev & Dmitri Kitaenko in Frankfurt (1992) 9/10/16 Prokofiev #1 +1CD set 3rd & 5th Concertos (+ Schumann's and Liszt's) by Samson François (1958-1961) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Ravel's left Hand Concerto by John Browning & Erich Leinsdorf (1960) 9/8/16 Schumann +1CD Papillons, Piano Quintet, Fantasiestücke Op. 73 with Jonathan Biss, Jerusalem Q., Martin Fröst 9/8/16 Summer Nights #11 +1CD Domenico Scarlatti's Keyboard Sonatas by Marcela Roggeri (Piano) (2004) 9/8/16 Rachmaninov #1 +1CD Symphony No. 1 by Mariss Jansons in St. Petersburg (1999) (a rip by Corrado D.) 8/29/16 Schumann +1CD Margaret Price's Frauenlieben und Leben (1981) 8/14/16 The Long Goodbye +1CD Beethoven & Mozart's Wind Quintets by Alfred Brendel & Soloists (1986)8/14/16 The Long Goodbye +1LP Beethoven's 7th Symphony by Karl Böhm (1958) (a transfer by Enrico B.) 8/14/16 Summer Nights #11 +1CD Pergolesi Stabat Mater by Claudio Abbado (1985)8/14/16 Summer Nights #11 +1CD Mozart's 3rd & 5th Violin Concertos by Isabelle van Keulen (1989)8/14/16 Summer Nights #11 +1CD Mozart Piano Sonatas by Daria van den Bercken (2014) 8/5/16 Summer Nights #7 +1CD Mendelssohn's String Quintets at the Marlboro Festival 1990 (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias by Wolfgang Sawallisch (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias & Paulus Oratorios by Helmut Rilling (a rip by Dante B.) 7/19/16 Mahler 7 +1CD Gianandrea Noseda in Manchester (2010) (a rip by Corrado D.) 7/19/16 American Classics +1CD Barber's Sonata (+ Berg's Op. 1 & Beethoven's Op. 126) by Ashley Wass 7/19/16 Wintery Romantics +1CD Gubaidulina: The Piano Music by Marcela Roggeri (2007) 7/18/16 Summer Nights #6 +1CD Frederica von Stade's Haydn, Mozart, Rossini solo album (1975) w/ de Waart & Dorati  7/18/16 Musique Française #2 +1CD set J-P. Rameau's Zais by Christophe Rousset (2014) 7/16/16 Summer Nights #4 +1CD set Beethoven's 4th Concerto (+ Chopin's 2nd & Schumann's) by Guiomar Novaes 7/16/16 Summer Nights #4 +1LP Beethoven's Violin Concerto by H. Szeryng & B. Haitink (a transfer by Enrico B.) 7/16/16 Summer Nights #4 +1CD Beethoven's Violin Concerto by Anne-Sophie Mutter & Kurt Masur in NYC (2002) 7/16/16 Summer Nights #4 +1CD Beethoven's Quartets Nos. 9 & 14 by the Quartetto Italiano (1969) 7/16/16 Summer Nights #4 +1CD Beethoven's 4th Concerto by Lang Lang & Christoph Eschenbach in Paris (2007) 7/13/16 Summer Nights #12 +1CD Guastavino's Songs by Florent Héau (Clarinet) with Marcela Roggeri, Piano (2008) 7/11/16 Opera Favourites #2 +1DVD Puccini's Il Tabarro & Leoncavallo's Pagliacci by James Levine (1994) 7/11/16 Messiaen +1CD La fauvette passerinette & other piano pieces by Peter Hill (2014) 7/11/16 Musique Française #1 +1CD Lalo's complete Piano Trios by the Trio Parnassus (1992) (a rip by Corrado D.) 7/11/16 Musique Française #1 +1CD set Bizet's complete Orchestral Music by Enrique Batiz (1988) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Saint-Saens's Symphonies Nos. 1 & 2 by G. Pretre (1991) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Satie, Piano Music (including most Gnossiennes) by Marcela Roggeri (2005) 7/5/16 Opera Favourites #1 +1CD set, Rossini's L'italiana in Algeri by Claudio Abbado in Vienna (1987) 7/5/16 Opera Favourites #1 +2CD sets, Bellini's Norma (J. Levine 1979) & I Capuleti e i Montecchi (R. Muti 1984) 7/5/16 Bach +1CD Cantatas for Counter-Tenor (BWV 170, 54, 35) by A. Scholl & P. Herreweghe (a rip by Corrado D.) 7/5/16 Summer Nights #10 +1CD 'Nocturne' (Selected Lieder) by Rupert Charlesworth & Edwige Herchenroder (2014) 7/4/16 In the Name of Music +1CD set Liszt's Christus oratorio by Helmuth Rilling (1997) (a rip by Dante B.) 7/2/16 Summer Nights #7 +1CD Brahms' Trio Op. 8 & Beethoven's 'Archduke': V. Mullova, H. Schiff & A. Previn (1993) 7/2/16 Summer Nights #7 +1LP Brahms' Violin Concerto by Henryk Szeryng & Bernard Haitink (a transfer by Enrico B.) 7/2/16 Bach 1CD set The well Tempered Clavier by Sergey Schepkin (1998-9) ( a rip by Corrado D.) 7/2/16 Bach +1CD The Art of Fugue by the Keller Quartett (1998) (a rip by Corrado D.) 7/2/16 Bach +1CD Cantatas BWV 4, 56, 82 with Dietrich Fischer-Dieskau (1951-2-3) (a rip by Corrado D.) 7/2/16 Bach +1CD Goldberg Variations (Arr. for String Trio by Bruno Giuranna), Trio Broz (2008) (a rip by Corrado D.) 6/28/16 Bach +1CD set The well Tempered Clavier by Samuel Feinberg (1959) (a rip by Corrado D.)6/28/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Salvatore Accardo (1976) (a rip by Corrado D.)6/28/16 Bach +1CD set The Art of Fugue by Grigory Sokolov (2008) (a rip by Corrado D.)6/28/16 Bach +1CD set Brandenburg Concertos by the Akademie für Alte Musik Berlin (2007) (a rip by Corrado D.) 6/27/16 Musique Française #2 +1CD Fauré, Chausson, Saint-Saens, Massenet by K. Deshayes & Ensemble Contraste 6/27/16 Musique Française #2 +2CDs Chausson Concert (Accardo) & Symphony (Ansermet) (rips by Corrado D.) 6/26/16 Musique Française #1 +1CD set Songs by Ravel, Fauré, Poulenc etc. by G. Souzay (a rip by Corrado D.) 6/26/16 Musique Française #3 +1CD Ravel's Piano Music by Vlado Perlemuter (1955 recordings) 6/26/16 Musique Française #3 +1LP Ravel's Daphnis et Chloé Suites by Willem van Otterloo in The Hague (1956) 6/26/16 Mahler 3 +1CD set Michael Tilson Thomas and the LSO, 1990 (with Janet Baker + Rückert-Lieder) 6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5/27/15 Rachmaninov #2 +1CD 3rd Concerto by Jorge Luis Prats and Enrique Bátiz (1989) 5/27/15 Summer Nights #10 +1CD Howell's Music for String & Orchestra, by Richard Hickox (1992) 5/27/15 Wintery Romantics +1LP Tchaikovsky's 2nd Piano Concerto by Magaloff and C. Davis (a rip by Enrico B.) 5/22/15 Second Viennese School Ess'ls #9 +1CD Chamber Concerto by J-F. Heisser (a rip by Ranapipiens) 5/19/15 Hindemith +1CD Trumpet Sonata by Ole E. Antonsen & Wolfgang Sawallisch (EMI, 1996) 5/19/15 Prokofiev #1 +1CD "Romeo & Juliet" excerpts with Kurt Masur and the Gewandhaus Orchestra (1987) 5/19/15 Summer Nights #5 +1CD Wagner Opera Scenes with W. Meier and L. Maazel (1997) 5/19/15 Strauss #1 +1CD Horn Concertos with B. Tuckwell & V.Ashkenazy and the RPO on Decca (1990) 5/19/15 Wintery Romantics +1CD Tchaikovsky, Dukas, Enescu, Mussorgsky showpieces, E. Mata & the Dallas SO (1988) 5/14/15 Schumann +1CD Piano Concerto by R. Serkin/Ormandy 1965, and same from an outstanding LP rip by Enrico B. 5/14/15 Strauss #3 +1CD Zarathustra and Don Juan with Alan Gilbert and the NYP 5/14/15 Musique Française #1 +2CDs completing Eschenbach's Roussel Symphony cycle in Paris on Ondine 5/5/15 Strauss #2 +2CDs A Cappella Choral Works (Danish Radio Choir 1993) & Alpensinfonie by Michalakis (2000) 5/5/15 Contrappunti italiani +1CD Busoni's Piano Concerto with Peter Donohoe & Mark Elder (1988 on EMI) 5/5/15 Second Viennese School Ess'ls #1 +1CD Verklärte Nacht + Metamorphosen & Siegfried-Idyll by Levine (1991) 5/5/15 Debussy #5 +1CD Images I, II & Oubliées + Estampes & Berceuse Heroique by Fou Ts'Ong (1990) 5/5/15 Schumann +1CD String Quartets Op. 41 with the Eroica Quartet (2001) (a rip by Der Wanderer) 5/4/15 Webern +1LP Chamber Music with P.Serkin and the Tashi Ensemble (1983), + Takemitsu's Piano Works 5/4/15 Rare Grooves #2 +1LP: Vivaldi Concertos with Ayo and I Musici (1968) (a rip by Enrico B.) 5/4/15 Prokofiev +1LP Violin Concerto No. 2 (+ Sibelius'): Szeryng & Rozhdestvensky 1965 (a rip by Enrico B.) 5/4/15 Bruckner +1DVD: Sinopoli's 4th with the Philharmonia Orchestra in Tokyo 1988 (NHK Classical DVD) 4/29/15 Telemann +1CD Collegium Musicum '90 - Hickox - Donner Ode 4/17/15 Haydn - Complete Baryton Trios - Esterhazy Ensemble Added working link for dsic 16 and cover image for disc 13 4/17/15 Summer Nights #10 +3CDs Elgar Symphonies (C. Davis 2001), 3rd (P. Daniel) & Serenade (Orpheus CO) 4/16/15 Baroque Music in the Netherlands: New links (Koopman, Huggett, Hazelzet, Mathot, vdMeer) 4/16/15 Summer Nights #4 +1CD Mozart's Divertimenti and Serenata notturna with I Musici (a rip by Enrico B.) 4/16/15 Willem de Fesch: New links 4/15/15 Stravinsky #2: +1LP Symphony in C, Symphonies for Wind, 4 Etudes, Suites (Ansermet. A rip by Enrico B.) 4/15/15 Schubert New links Paul Badura-Skoda, playing Sonata D960 & Klavierstücke 4/15/15 Summer Nights #10 +2CDs Walton's Belshazzar's Feast (Terfel & Litton) and the Symphonies (Ashkenazy) 4/15/15 Summer Nights #10 +1CD Holst's The Planets (Y. P. Tortelier in Manchester) 4/13/15 Sibelius +1CD The NZSO & Inkinen: Scènes historiques and King Christian Suite 4/11/15 Entartete Lieder +1CD Dagmar Krause - Supply & Demand 4/11/15 Schubert: +1CD Quintet in C, by the Arcanto Quartett 4/9/15 Liszt +1CD Symphonic Poems (including Les Préludes) with Zubin Mehta and the Berlin Philh. (1994) 4/9/15 American Classics: 1CD Gershwin Porgy & Bess highlights, American in Paris, Cuban Ov. by Mehta & the NYP 4/9/15 Summer Nights #2: +1CD: Rezniček and Korngold's 1st String Quartets by the F. Schubert Quartett of Vienna 4/9/15 Schubert Essentials #1: +2CDs Works for Piano Duet by Anne Queffélec & Imogen Cooper (Erato, 1978) 4/9/15 Debussy #4: +4CDs The Complete Piano Music by Paul Crossley with one of the finest accounts of the Etudes 4/8/15 Musique Française #1: +1LP Frank Martin's Der Cornet (Rilke), Lipovšek & Zagrosek (1984) 4/8/15 Rare Grooves +1LP Grofé's Grand Canyon and Alfvén's Swedish Rhapsody by Ormandy in Philly (CBS, 1958) 4/8/15 Rare Grooves #2 +1LP Vivaldi, Capuzzi & Paisiello: Concertos with I Musici (Philips 1964. A rip by Enrico B.) 4/7/15 Rare Grooves #2 +1LP: Goldmark's Rustic Wedding Symphony by Jesús López-Cobos (1981) 4/7/15 Rare Grooves #2 +2 LPs: Mendelssohn 3rd (A. Davis), Schoenberg's Verklärte Nacht & Suite in G (Scimone) 4/7/15 Summer Nights #3: +1CD Mendelssohn's 3rd ("Scottish") Symphony + Beethoven's 1st by Osmo Vänskä 4/7/15 Summer Nights #4: +1CD Mozart's 'Jeunhomme' Piano Concerto with McCawley and Leaper (1996) 4/7/15 Wintery Romantics: +1CD Silvestrov's 5th Symphony and Postludium with Lubimov and Roberston (Sony, 1995) 4/7/15 Summer Nights #1: +1CD Glière

The Well-Tempered Ear

March 18

Classical music: Bach Dancing and Dynamite Society announces its upcoming summer season of “Alphabet Soup” this June

By Jacob Stockinger The time for announcing new seasons has arrived. Pretty soon, over the next several weeks and months, The Ear will hear from larger and smaller presenters and ensembles in the Madison area, and post their new seasons. First out of the gate is the critically acclaimed and popular summer group, the Madison-based Bach Dancing and Dynamite Society. (You can see a short promo video about BDDS on the YouTube video at the bottom.) It has just announced its upcoming summer season this June, and sent out brochures with the season’s details. This will be the 26th annual summer season and it has the theme of “Alphabet Soup.” The concept is explained online and in a brochure newsletter (also online) in an editorial essay by BDDS co-founder and co-artistic director flutist Stephanie Jutt (seen below with co-founder and co-director pianist Jeffrey Sykes). By the way, Jutt is retiring from the UW-Madison this spring but will continue to play principal flute with the Madison Symphony Orchestra and to work and perform with BDDS. In many ways it will be a typical season of the eclectic group. It will feature local and imported artists. Many of both are favorites of The Ear. His local favorites include UW-Madison pianist Christopher Taylor; violist Sally Chisholm of the UW-Madison’s Pro Arte Quartet ; UW violinist Soh-Hyun Park Altino (below top, in a photo by Caroline Bittencourt); and Pro Arte cellist Parry Karp (below bottom). Among The Ear’s favorite guest artists are violinist Carmit Zori, clarinetist Alan Kay, the San Francisco Piano Trio (below top); UW alumna soprano Emily Birsan; pianist Randall Hodgkinson; and baritone Timothy Jones (below bottom). As usual, the season features 12 concerts of six programs over three weeks (June 9-25) in three venues – the Playhouse in the Overture Center (below top), the Hillside Theater (below middle) at Frank Lloyd Wright’s Taliesin compound in Spring Green and the Stoughton Opera House (below bottom). In addition, there is a FREE family concert in the Overture Playhouse on June 10. What does seem somewhat new is the number of unknown composers and an edgier, more adventurous choice of pieces, including more new music and more neglected composers. Oh, there will be classics by such composers as Joseph Haydn , Wolfgang Amadeus Mozart , Luigi Boccherini, Franz Schubert, Johannes Brahms, Peter Tchaikovsky , Sergei Prokofiev, Maurice Ravel, Bela Bartok, Arnold Schoenberg, Benjamin Britten and others. These are the ABC’s of the alphabet soup, according to BDDS. But also represented are composers such as Philippe Gaubert, Czech Holocaust victim Gideon Klein (below), Guillaume Conneson, Carl Czerny, Paul Moravec and Franz Doppler. These are the XYZ’s of the alphabet soup. In between come others. Contemporary American composer, and Pulitzer Prize winner, Kevin Puts (below) is a BDDS favorite and is well represented. You will also find less performed works by Ned Rorem, Erich Wolfgang Korngold and Gerald Finzi. For the complete programs and schedules as well as the list of performers, some YouTube videos and ticket prices, both for season tickets ($109.50, $146, $182 and $219) and for individual concerts ($43), and other information, go to: http://bachdancinganddynamite.org/concerts/festival-concerts/ Tagged: ABC , Alan Kay , alphabet soup , Arnold Schoenberg , Arts , Bach Dancing and Dynamite Society , baritone , Bartok , BDDS , Benjamin Britten , Boccherini , Carl Czerny , Carmit Zori , Cello , Chamber music , Christopher Taylor , clarinet , Classical music , composer , Czech , Emily Birsan , Erich Wolfgang Korngold , Frank Lloyd Wright , Franz Doppler , Gerald Finzi , Gideon Klein , Guillaume Conneson , Haydn , Hillside Theater , Holocaust , Jacob Stockinger , Jeffrey Sykes , Johannes Brahms , Kevin Puts , Madison , Madison Symphony Orchestra , Mozart , Music , Ned Rorem , New Music , opera , Orchestra , Overture Center , Parry Karp , Paul Moravec , Philippe Gaubert , Piano , Piano Trio , Pro Arte Quartet , Pulitzer Prize , Randall Hodgkinson , Ravel , Sally Chisholm , San Francisco Piano Trio , San Francisco Trio , Schubert , Season , Sergei Prokofiev , Soh-Hyun Park Altino , Sonata , soprano , soup , Spring Green , Stephanie Jutt , Stoughton Opera House , summer , symphony , Taliesin , Tchaikovsky , Timothy Jones , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , victim , Viola , Violin , vocal music , Wisconsin , Wolfgang Amadeus Mozart , XYZ , YouTube




The Well-Tempered Ear

March 16

Classical music education: Concerto contest winners perform at the Wisconsin Youth Symphony Orchestras winter concerts this Saturday

By Jacob Stockinger WYSO will hold its second concert series of the year with the Diane Ballweg Winterfest Concerts on this Saturday, March 18. Nearly 500 young musicians will display their great talents to the community during the concerts, which are dedicated to music teachers. (See below for times and programs. And listen to WYSO members talk about WYSO in the YouTube video at the bottom.) The concert series will feature all five orchestras including the debut performance of WYSO’s newest string orchestra, Opus One. Under the direction of Geri Hamilton, Opus One consists of string players ages 8 to 12. This ensemble focuses more on technique than on performance, incorporating instruction on fundamentals of scales, shifting and bowing, in addition to formative ensemble skills experience. The Youth Orchestra concert will also feature two of the winners from the Youth Orchestra Concerto Competition: Violinist, Mary Deck and Percussionist, Adam Goren. Mary Deck (below), age 16, is a junior at Madison West High School , and has been a part of WYSO since 2011. She will be performing the first movement of the Violin Concerto No. 4 in D minor, Op. 31, by Henri Vieuxtemps. Adam Goren (below), age 18, is a senior at Middleton High School and has been a part of WYSO since 2013. He will be performing the third movement of Concertino for Marimba by Paul Creston. The Diane Ballweg Winterfest Concerts will be held in Mills Concert Hall in the UW-Madison George Mosse Humanities Building, 455 North Park Street. WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families. Tickets are available at the door, $10 for adults and $5 for youth 18 and under. For more information about WYSO, go to: https://www.wysomusic.org This project is supported by Dane Arts with additional funds from the Endres Manufacturing Company Foundation, the Evjue Foundation, Inc., a charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation. Generous funding was also provided from the American Girl’s Fund for Children. This project is also funded in part by a grant from the Madison Arts Commission with additional funds from the Wisconsin Arts Board . SCHEDULE AND PROGRAMS Opus One and Sinfonietta – 11:30 a.m. Sinfonietta (below) Longfield (b.1947), Black Diamond Smetana (1824-1884), Themes from The Moldau, arr. Frost Mosier, Kirt N., American Reel Traditional Irish, The Salley Gardens Richard Stephan (b. 1929), Variations On A Well-Know Sea Chantey, Grundman (1934-1996), Kentucky 1800 Leyden (1917-2014), Serenade for String Orchestra : Prelude, Fugue, Nocturne, Cakewalk Dvorak (1841-1904), Themes From The New World Symphony arr. Gruselle Opus One Richard Meyer (b.1957), Night Shift Follow the Drinking Gourd – African-American Folk Song arr. Carrie Lane Gruselle Ewazen (b.1951), Four Royal Dances: The Lord Brian Balmages (b.1975), A Beethoven Lullaby For the Star of County Down – Richard Meyer (b.1957) Dragonhunter Concert Orchestra and Harp Ensemble (below top) – 1:30 p.m. Concert Orchestra (below bottom) Gounod (1818-1893), Funeral March of a Marionette ed. Rosenhaus Holst (1874-1934) Jupiter, the Bringer of Jollity from The Planets arr. Leidig M.L. Daniels (b. 1931) Contending Tres Danzas de Mexico setting by Rhoads (b. 1918): El Pitayero (from Jalisco); El Café (Province unknown); El Curripiti (from Veracruz) Montgomery (1771-1854), Angels, From the Realms of Glory, setting Robert W. Smith Philharmonia Orchestra (below) – 4 p.m. Wagner (1813-1883), Procession to the Cathedral, from the Opera “Lohengrin” arr. Kennedy Grieg (1843-1907), Peer Gynt: Suite No. 1, Op. 46: Morning; Ase’s Death; Anitra’s Dance; In the Hall of the Mountain King Weber (1786-1826), Tourandot, J.75: Overture and March Hindemith (1895-1963), Symphonic Metamorphosis of Themes by Carl Maria von Weber : Fourth movement – March Youth Orchestra (below) – 7 p.m. Vieuxtemps (1820-1881) Concerto for Violin No 4 D minor, Op.31, first movement. Mary Deck, violin soloist Creston (1906-1985) Concertino for Marimba, third movement. Adam Goren, marimba soloist Prokofiev (1891-1953) Symphony No 7, op.131, C-sharp minor: Moderato, Allegretto, Andante espressivo, Vivace Glinka (1804-1857) “Russlan and Ludmilla” Overture Tagged: African American , angels , Arts , Beethoven , brass , cafe , cakewalk , cathedral , concerto , conductor , dance , Dane Arts , drinking , Dvorak , Eric Ewazen , Evjue Foundation , folk , folk song , fugue , funeral , George Mosse , Glinka , glory , Gounod , Grieg , harp , Henri Vieuxtemps , Hindemith , Holst , humanities , Irish , Jacob Stockinger , Jalisco , Jupiter , Lohengrin , Lord , lullaby , Madison , Madison Arts Commission , Madison West High School , march , marimba , Mexico , Music , Music education , New World Symphony , nocturne , opera , Orchestra , Overture , Paul Creston , Peer Gynt , percussion , Prelude , royal , sea chantey , Serenade , Sergei Prokofiev , Smetana , song , strings , Suite , symphony , Teacher , The Capital Times , The Moldau , The Planets , theme , traditional , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , Veracruz , Viola , Violin , Wagner , Weber , Wisconsin Arts Board , Wisconsin Youth Symhony Orchestras , WYSO , YouTube

Iron Tongue of Midnight

March 3

Guest Post: Mike A. in Europe

Mike A., who comments here regularly, sends a report on four operas he saw in Europe: Francesconi's Quartett at the Liceu, Rossini's Semiramide in Munich, Handel's Arminio in Karlsruhe (2017 International Handel Festival, Karlsruhe) and Prokofiev's The Fiery Angel, back in Munich. It's a great bunch of operas with excellent casts and conductors (Susanna Mälkki for Quartett!). Hope you enjoy this long report as much as I did.  And note that the Semiramide is available on line if you want to follow along. TRIP REPORT (QUARTETT – SEMIRAMIDE – ARMINIO – THE FIERY ANGEL) Introduction/Opera Selection Planning for opera trips was never an easy task for me. I used a lot of Operabase database, while considering my taste in operas, flight plans and the opera schedules. I like to watch the operas back to back, without any breaks in between, as I don’t have many leave days. The first opera that I wanted to see for this trip was Arminio in Karlsruhe, as I’m a big fan of George Petrou and his Armonia Atenea. Once I decided on that, then I found out about Semiramide in Munich and its amazing cast, so that was my second choice. Reading reviews about The Fiery Angel (also in Munich) got me excited, and I found out that I could schedule those three back to back. Other operas I was interested in were Quartett and Vivaldi’s Teuzzone, both at Liceu Barcelona, and also Prince Igor in Amsterdam (same production as the Met’s that I missed). Eventually, I decided on Quartett the day before. (Continues after the cut.) Wednesday, February 22, 2017 – Luca Francesconi’s “Quartett” at Gran Teatre del Liceu, Barcelona (Opening night) (Robin Adams and Allison Cook, conducted by Peter Rundel, direction by Àlex Ollé (La Fura dels Baus)) The first opera of this trip was Luca Francesconi’s “Quartett” at Liceu. Quartett was based on Heiner Müller's re-take on Les liaisons dangereuses. The opera/play only focused only on the two major characters from Les liaisons, Marquise de Merteuil and Viscomte de Valmont. The opera was premiered in 2011 at La Scala, Milan, featuring the same production and the same 2 singers as this performance (it was conducted by Susanna Malkki). Most of the times, I attended operas because of the singers that I like. But there were a couple of times where the motivation was because of the production. This was one of them. I read all the reviews of the La Scala performance, and every single one of them praised the production by Àlex Ollé. Indeed it was stunning production. The stage was a box suspended mid-air in the middle of the stage, kind of like a diorama or aquarium, with a backdrop of visual projections. It was a sight to see. Inside that box, Marquise and Viscomte screamed, fought, had sex, outdid and outwitted each other in this war of sexes. Musically, this was a very challenging opera. Scored for two orchestras, one live on the stage and the other pre-recorded, it was also full of “sound effects”, even included an off-stage chorus. The vocal line was very conversational, so much so that at times I felt like I was watching a play with music. It was set as one act with thirteen scenes, and the orchestral parts were used to accentuate the conversation and to heighten the mood and also as interludes between scenes. This opera had to be seen with full attention, as each scene depicted different situations and even role-reversals. The opera itself was very raw, cynical, violent and disturbing, and to me, offered no comfort or salvation. It was like the two characters tried the hardest to score most points to Hell. It ended with the Marquise “flying” through the cloud, which was open to interpretation. With such an intense score and demanding production, it required two very committed singers to make this work. Indeed, both singers excelled in their roles. I first encountered baritone Robin Adams in another contemporary opera, Donnacha Dennehy and Enda Walsh’s “The Last Hotel”. (He’s like the go-to person for contemporary operas lol). He embodied a macho, hard-hitting Viscomte, with a pretty round heavy voice, well suited for the role. I had slight problem with his falsetto, which he employed a few times, but that was just a slight nitpick for an otherwise wholesome performance. Allison Cook was awesome as the Marquis. The vocal lines reminded me of Elektra at times, and she portrayed a range of emotions that Marquis went through with full conviction. The crowd went wild for both singers, and they deserved every one of the applauses. All in all, it was an extraordinary experience, and a great start to my trip. I would love to see this production in our War Memorial, as it required a great hall to make the “box” experience effective, but I wouldn’t hold my breath for it. I am now quite interested in Francesconi’s next project, Trombe-la-mort, that will have world premiere in Paris this spring. Meanwhile, Quartett will receive US Premiere in May during Spoleto Festival, albeit it will be the John Fuljames’ production from Royal Opera House. Thursday, February 23, 2017 – Rossini’s “Semiramide” at Bayerische Staatsoper, Munich(Joyce DiDonato, Alex Esposito, Daniela Barcellona, Lawrence Brownlee, Elsa Benoit, Simone Alberghini, Galeano Salas, Igor Tsarkov, conducted by Michele Mariotti, and directed by David Alden) The second opera was a major one, a brand new production of Rossini’s “Semiramide” at Bayerische Staatsoper, helmed by Michele Mariotti, and featuring a starry cast led by Joyce diDonato, Daniela Barcelona and Lawrence Brownlee. This was my first time seeing Semiramide, and also first time seeing an opera at Bavarian State Opera, the birthplace of many classics, including my 2 favorite Wagner operas, “Tristan und Isolde” and “Die Meistersinger von Nürnberg”, so I had high expectation for this. I wasn’t disappointed either. It was four-hour of glorious bel canto singing in pretty ok production, but more about that later. Joyce diDonato was absolutely glorious as Semiramide. Her acting, singing, body and facial expressions, even her costumes were top-notch. I’m not familiar with Semiramide’s music, so I couldn’t tell if her singing was transposed down, but it was definitely divine, from the high-flying coloratura down to delicate pianissimo passages. As usual, her acting was superb and intense. Her Semiramide was the conflicted one; and she was particularly effective at those tender moments. She and the conductor Michele Mariotti received the biggest cheers of the night. Daniela Barcelona was effective in the trouser-role Arsace. Her dark timbre suited the role well, and her duets with Joyce in both acts were stunning. It was also amazing to hear how “masculine” her voice was as Arsace in those duets compared to Joyce’s, especially considering Joyce had sung a lot of trouser roles herself. I felt that Lawrence Brownlee was pretty underused here, no fault to him, obviously. But he sang his big aria in the Act 2 handsomely, and it was greeted enthusiastically. I was pretty impressed with Alex Esposito as Assur, a dark, bleak and unapologetic portrayal. All other characters were sung beautifully, particularly Galeano Salas, which provided much needed comic relief in the performance.Michele Mariotti led an exciting reading of the score. Tempi were well phased, and he brought out the splendor of the orchestra, particularly in the woodwind section. No wonder he got the biggest cheers (other than one for Joyce), it was job very well done. This was my third David Alden production, after Maometto II in Toronto, and Les Huguenots in Berlin, so I pretty much knew what to expect. I watched the introductory video for this, so I knew beforehand that he set this to be “fascist opera” (although, after seeing all three productions, I fear that is his only approach to operas). David tended to stage the operas in ambiguous, nondescript locations, and Semiramide was no exception. The whole opera seemed to be staged in various rooms of a palace with giant statue of the dead king. He also had tendency to fill the stage with quirky, at times distracting, unrelated supernumeraries. It was flying ninjas in Maometto, KKK members with red gloves in Les Huguenots, and here, Middle East-ish soldiers with black veil covering their faces. Even some of the chorus members wore this getup. There were many other eccentricities in this production, most puzzling to me was the decision to stage the confrontation between Semiramide and Assur in the beginning of Act 2 in the bedroom, as if the terror and retribution of killing the old king made a nice foreplay. But as a whole, I didn’t mind it much, especially with this glorious cast.This run of Semiramide is completely sold out (how amazing is it to have sold out opera performances here?), but it will be part of Munich Opera Festival in July. As a reminder, the Met will also present Semiramide next season with Angela Meade and Elizabeth deShong. Friday, February 24, 2017 – Handel’s “Arminio” at Badisches Staatstheater, Karlsruhe (part of 2017 International Handel Festival, Karlsruhe) (Opening night for this run) (Max Emanuel Cenčić, Lauren Snouffer, Pavel Kudinov, Juan Sancho, Aleksandra Kubas-Kruk, Gaia Petrone, Owen Willetts, conducted by George Petrou, and directed by Max Emanuel Cenčić) This was the main reason for this trip. I have been a big fan of George Petrou and his period instrument band, Armonia Atenea, after having seen him in extraordinary “Alessandro”(Handel) in 2015 Halle Handel festival, exciting (if silly production) “Scipione” (Handel) in last year Halle Handel Festival, and superb “Siroe” (Hasse) in Lausanne last November. I love how he phrased and shaped the melodies, exciting “attacks” on those period instruments without being overly aggressive, and particularly, how well-behaved those old woodwinds and brass sounded under him. So it was with tremendous excitement when I found out that he was leading another series of “Arminio” at this year Karlsruhe Handel Festival, after premiered the production last year there and subsequently recorded this on Decca with superb cast. I also like Max Emanuel Cenčić, which was awesome in Alessandro and Siroe, and his semi-staging of Siroe was beautiful. I had been listening to the recording almost nonstop prior to this performance. With such a high expectation, I should have known that I would only be disappointed. And yes, I was pretty disappointed during Act I. Max Cenčić started his duet sounding very tentative, Lauren Snouffer shrieked her top notes, Pavel Kudinov was barely audible in his low notes, and Gaia Petrone chopped and sliced her coloratura while overacted her comic relief role. Even the usual Armonia Atenea sounded a bit uninspired, I think. I came into the first intermission feeling very sad. (While Handel IS my favorite opera composer, a bad Handel performance makes a LONG night!!)Luckily, things improved tremendously after the first intermission. (Somebody must have informed the performers to step up their game!) Armonia Atenea sounded bright and exciting, Max turned into his brilliant self, and while still shrieking her highest top notes, Lauren Snouffer impressed with his portrayal of Arminio’s wife, Tusnelda. The biggest discovery of the night was the Sigismondo, soprano Aleksandra Kubas-Kruk, which was actually a replacement for a countertenor. With bright, crystal clear coloratura, and a wholesome acting, she definitely captured the hearts and minds of the audience, and subsequently, received one of the loudest applause of the night. I was quite impressed with Juan Sancho too. Normally I don’t like his nasal whiny voice, but I think as Varo he excelled himself tremendously. It also helped too that this time, he wasn’t in weird, voice-restricting costumes as the previous operas. It was no small feat, considering the role was written for John Beard, who premiered the title roles in Samson, Judas Maccabeus and Jephtha. What really helped during the performance was the production by Max Emanuel Cenčić, which I thought was excellent. It really helped to have the singer staged the opera, as the whole performance was very sensitive to Handel’s music and lyrics. (Trust me, these days Handel’s operas are like playground to see how far directors can stretch interpretations!) The set was built around two turntables rotating in either direction, so the action was nonstop and there was barely any blank moment to assemble the stage. The curtain only came down at the conclusions of each act. The costumes were nicely traditional, more French than Germanic, IMO. (Arminio after all is German).  My opera companion that night complained about the suggested rape at the end of Act 2, which I thought was pretty quirky, but not altogether inappropriate, considering the situation, and considering her first aria in the next act starting with phrases “two deaths won’t cover my sadness”.In the end, I was glad to make the trip to see this, my fourth chapter in watching George Petrou conducting operas. It was also a nice reminder that operas are living arts and that I need to keep an open mind and open ears watching operas, no matter how high the expectation is.I don’t think there will be any scheduled performances of Arminio anywhere in the world next season, at least those announced yet. Saturday, February 25, 2017 – Prokofiev’s “The Fiery Angel” at Bayerische Staatsoper, Munich(Evgeny Nikitin, Ausrine Stundyte, Heike Grötzinger, Helena Zubanovich, Vladimir Galouzine, Kevin Conners, Okka von der Damerau, Igor Tsarkov, Peter Lobert, Ulrich Reß, Sean Michael Plumb, Matthew Grills, Christian Rieger, Andrea Borghini, Selene Zanetti, Alyona Abramowa, conducted by Michail Jurowski and directed by Barrie Kosky) The last opera of this trip turned to be the most colorful one. This was another example of acclaimed productions that drew my interest in seeing it. I saw Barrie Kosky’s productions of “The Magic Flute” and “Dido and Aeneas” at LA Opera and loved them; although I hated his “Bluebeard’s Castle” that was paired with Dido above. The Fiery Angel was a riot; blasphemous, grotesque, ridiculous, flamboyant, provocative, but at the same, exciting, breathtaking, and ultimately, you couldn’t simply take your eyes off it. The set was a lovely setting of a luxury hotel, which over time it would decay as the opera progressed. The five acts were played continuously without break. Prokofiev’s opera (similar to the novel where it was based on) contained a number of “orgies”/indulgences of passion, and Barrie Kosky really explored this theme. The sorcerer Agrippa in Act 2 arrived with an army of tattooed drag queens in ballgowns, and the Faust/Mephistopheles scene in Act 4 was pretty much lifted off Folsom Street Fair. Even more shockingly, in the Act 5 convent scene, the possessed nuns were all dressed like bloody Jesus with thorny crown. It was pretty surreal. Interestingly, Barrie decided to stage the final moment with just Renata and Rupercht in the room (back to the original setting), so the whole thing seemed to just like a dream or hallucination. Musically, Prokofiev’s score was very difficult, especially for the soprano part, which was pretty much on stage the whole time. Ausrine Stundyte was outstanding in that role. She had soft grainy voice and she smartly navigated her way through Prokofiev’s phrases alongside thick orchestration, while performing the very physical nature of her role in this production. She climbed, jumped, ran back and forth the stage, even involved in the orgy scene during the Faust scene. Evgeny Nikitin too was pretty commendable as tough, tattooed Russian Mafioso type Rupercht, although he tended to get drown by the thick orchestration, especially during the Faust scene. With so much going on the stage, it was hard to keep track of the various singers, most of them had only a few lines, but Kevin Conners and Igor Tsarkov were pretty impressive Mephistopheles and Faust, respectively, all the while donning ridiculous costumes and performed grotesque comic “game” in Act 4. In conclusion, I think this production would divide the audience; people would either love it or hate it. I happened to love this, and I too was hoping this would make way to our War Memorial someday. With the right advertisements, this would sell very well during the Pride or Folsom Street Fair, I think. I mean, if LA Opera can stage his Dido & Aeneas, why can’t we get this? Maybe it was just my wishful thinking. There is only one other opera house staging “The Fiery Angel” this season, Opernhaus Zürich in May/June, directed by Calixto Bieito. That should be wild, I think! It will feature the same Renata as this performance, Ausrine Stundyte.  



The Boston Musical Intelligencer

March 1

Orchestras Without Borders

A noted Leipziger of yore. The announcement in September 2015 that Andris Nelsons would become the 21st Kapellmeister of the Leipzig Gewandhaus Orchestra beginning in its 2017-’18 season gave us all a bit of a shock, inasmuch as the maestro had only just assumed his full responsibilities as Boston Symphony Orchestra artistic director, the year before. The BSO was quick to paint the positive implications of a “…strategic alliance [that] will allow Andris to consolidate the core of his European work in a place that shares a musical heritage with the BSO.” Today we are getting more details of that cross-fertilization initiative which, beginning a year from now, will encourage: co-commissioning; sharing the spotlight on each orchestra’s culture and history; and musician exchanges between the two orchestras and their respective acclaimed academies for advanced music studies. The BSO tells us that a “Leipzig Week in Boston” (February 2018 and November / December 2018) and a “Boston Week in Leipzig” (June 2018 and August / September 2018) will make much of each other’s musical traditions, through orchestral programs, chamber music, archival exhibits, and lecture series. Christoph Wolff, Adams University Professor at Harvard, former director of the Bach Archive in Leipzig (2001-’13), author of numerous acclaimed texts on the history of music from the 15th to 20th centuries, and sometime contributor to BMInt adds significant intellectual luster as artistic adviser to the BSO / GWO Alliance. Without German composers and musicians, early Americans would have stood little chance to Make American Music Great. Who would have listened to the Handel and Haydn Society, the Harvard Musical Association Orchestra, and the Boston Symphony if we had not had the services of Wulf Fries, Franz Kneisel, Alwin Schroeder, Carl Zerrahn, Georg Henschel, Karl Muck, usw? One hundred years before there was even a German nation, Germans were building Boston’s musical institutions. And many have written about the similarities of the 1852 Boston Music Hall, the second Leipzig Gewandhaus, and Symphony Hall. Die Deutsche Kultur is long-established here. Indeed, BSO rehearsals were conducted in German until the First World War. From our perspective, though, it is the strengthening and extending of American roots in German soil that constitute the most important potential outcome. But what do Europeans want to hear from us? In this hopefully short-lived nationalistic era, getting Leipzig to Hear America Singing, in the voices of Copland, Carter, Bernstein, Sebastian Currier and Sean Shepard—that’s one small way to prevent the return of iron curtains. * * * Some of the principals in the Grand Alliance respond to our questions: FLE: Can you elaborate somewhat on your role? Will you be responsible for selecting the content of the discussions? Will you moderate and participate? Will this influence programming of either orchestra? Christoph Wolff: I look forward to participating with colleagues and friends in showcasing the very special but easily forgotten lasting contributions two world-class orchestras have made to classical music. Consider that Beethoven’s Piano Concerto no. 5 was premiered by the GWO and that the BSO commissioned Stravinsky’s Symphony of Psalms. In weeklong mini-festivals each season, both orchestras and their related chamber ensembles will program important works originally associated with the “opposite partner” and, at the same time, perform a jointly commissioned new piece. Over a five-year period, such carefully planned programs will offer numerous possibilities of exploring music in the cultural context of two very different yet also quite comparable cities of commerce and learning. What is it about the Leipzig Gewandhaus Orchestra and the city of Leipzig that makes them both so distinctive? The GWO is more than 500 years younger than the St. Thomas Choir in Leipzig (founded in 1212), but closely related to the same history. Founded in 1743 by music-loving businessmen and largely staffed by musicians trained by Johann Sebastian Bach, it quickly developed into a distinguished orchestra that benefitted from a vibrant scene of music publishing (Breitkopf & Härtel, C.F. Peters) and music education (the first German Conservatory, founded in 1842 by Gewandhaus-Capellmeister Felix Mendelssohn). As for many generations, the GWO today serves as the city’s symphony orchestra, its opera orchestra, and also as church orchestra for the performances of the St. Thomas Choir. How well do you know the conductors and administrators of the two orchestras, and are they enthusiastic about this collaboration? Since the summer of 2015, I spent quite a bit of time with Andris Nelsons, who conceived the alliance and is truly committed to making it work, with Marc Volpe and Tony Fogg of the BSO as well as with the GWO management. It turned into a very congenial and balanced team that never runs out of ideas. Will the BSO play the Cantor of Leipzig differently as a result of this experience? I am sure that the whole thing will be a great learning experience for both orchestras. However, as far as playing Bach is concerned, neither orchestra can teach the other historical performance style. At the same time, I can well imagine that a greater exposure to Bach will result in a leaner and more expressive “symphonic” Bach style. How will Leipzig benefit? German audiences in general have never really embraced “classical” American music. Moreover, traveling American orchestras predominantly bring European music to Europe. The BSO under its Lithuanian conductor Andris Nelsons wants to change the emphasis and I believe that the opportunity of becoming familiar with a broader repertoire of American composers will make a difference. On a different note, the idea of the BSO-GWO Alliance predates the Trump presidency and will demonstrate that the world of music remains as undivided as ever. FLE: Do I detect some symmetry here with the BSO going back to its Germanic roots? In revisiting each other’s signature repertoire, will the two orchestras also be trying to re-create each other’s sounds? And if so, from what eras? Tony Fogg: There is probably only a symbolic symmetry here. The first BSO included about 30-odd musicians who were trained in Leipzig—a proportion which certainly would have greatly contributed to the color of the ensemble. Today’s BSO is already much more of a hybrid of playing styles and traditions, with true flexibility of approach being one of its greatest hallmarks. The inclusion of just a few players from the GWO each season will certainly add to the mix but most likely will not dramatically change the sound of the orchestra unless one of them is in a key wind or brass chair. CW: I don’t think that the orchestra’s will or should try to imitate, let alone re-create, each other’s sound. However, I could well imagine that the GWO (or any other German orchestra, for that matter) will learn from BSO players how to get a more natural “swing” into performing music by Leonard Bernstein, Gunther Schuller, and the like. We are very keen on the relationship between the BSO and Maestro Nelsons, as are most of our readers, but can you tell us from a marketing prospective how aware the average audience member is of the identity of the night’s conductor? Kim Noltemy: The top three factors that patrons consider when deciding to attend a particular BSO performance are the program, the conductor, and the guest artist. To what extent does this very exciting collaborative effort make a virtue of the necessity of keeping Andris Nelsons Eurocentric? Mark Volpe: Europe continues to be an essential place for musicians to work throughout their professional careers, so it is no surprise that this is also the case for Andris Nelsons. When Andris came to us to discuss the possibility of the Kapellmeister position with the Gewandhausorchester, it soon became clear that the opportunity would address some key issues in both his professional and personal lives. Holding leadership positions with the BSO and GHO, Andris enters a new chapter in his professional career, wherein he will focus less time on guest conducting engagements and instead deeply focus on furthering his relationship with his two orchestras and their respective audiences. The multidimensional synergy between the two orchestras—with many strong historic connections between them—served only to help solidify his decision to take on the Leipzig post. Soon after that decision was made, it became clear that Andris wanted to bring his two ensembles together in a way to create something that would be quite unique in the world of orchestral music and to the audiences devoted to both orchestras. In addition, this new focus will allow Andris to tailor his schedule in such a way to spend more time with his family, his daughter, Adriana, and his wife, the acclaimed soprano Kristine Opolais. We can’t imagine a better outcome for everyone involved. *** There is much more to be said about this fine news and, longer-term, many other questions to be asked. But for the moment, there is nothing for it but to fulfill our role as a major diapason for the BSO organ(ization) and break forth the beauteous news in the words of the orchestra’s press office: Boston Music Hall ca 1880 “Leipzig Week in Boston” (February 2018) and “Boston Week in Leipzig” (June 2018) and Musician Exchanges between BSO and GHO During the 2017-18 subscription season, the BSO will celebrate its first “Leipzig Week in Boston” at Symphony Hall (February 2018) and the GHO will present its first “Boston Week in Leipzig” at the Gewandhaus (June 2018), giving each orchestra an opportunity to focus on some of the repertory for which its partner organization is best known. This programming theme—with each orchestra annually spotlighting the other’s musical tradition—will also be featured in chamber music performances, lectures, panel discussions, and exhibits, with the goal of bringing audiences a new understanding of the signature repertoire of each orchestra. Additionally, these special weeks of thematic programming in Boston and Leipzig will be further enhanced by musician exchanges whereby several BSO members join their colleagues for performances of chamber music in Leipzig for “Boston Week in Leipzig” and several GHO members will do the same for “Leipzig Week in Boston.” For the first Boston chapter of the BSO/GHO Alliance, “Leipzig Week in Boston” will open on February 8, 9, and 10 with the Boston Symphony Orchestra performing works of composers closely associated with the great legacy of the Gewandhausorchester, founded in 1743. The program will open with Bach’s Concerto in D minor for Three Keyboards, with three distinguished soloists, followed by Schumann’s Nachtlied, Op. 108, and Neujahrslied, Op. 144. The second half of the program will open with the first BSO/GHO commission by Sean Shepherd and close with Mendelssohn’s Symphony No. 3, Scottish, in honor of the famed composer who served as Gewandhauskapellmeister from 1835-1847. On February 11, the Gewandhaus Quartet, made up of members of the GHO, will join musicians of the BSO for a program to include Mendelssohn’s Octet, among other works to be announced. In connection with these programs, a distinguished group of specialists, including Christoph Wolff, Harvard Professor Alexander Rehding, Gewandhaus archivist Claudius Bohm, among others, will be featured in lectures and panel discussions about the history of the Gewandhausorchester and its hall; Mendelssohn and Schumann; and concert hall acoustics. The first “Boston Week in Leipzig,” June 21, 22, and 24, 2018, will feature the Gewandhausorchester Leipzig in performances of works by Stravinsky, Copland, Carter, and Bernstein, all of whom are very closely tied to the BSO’s musical tradition. An iconic BSO commission, Stravinsky’s Symphony of Psalms, opens the program, followed by Copland’s Old American Songs with acclaimed American baritone Thomas Hampson. Elliott Carter’s Clarinet Concerto with composer/clarinetist Jörg Widmann as soloist and Bernstein’s Symphonic Dances from West Side Story, a BSO signature work, make up the second half of the program. The Mendelssohn Octet chamber music program in Boston will be repeated in Leipzig on June 24. These concerts will also feature a film presentation about the history of the Boston Symphony and Symphony Hall. A distinguished group of specialists, including Christoph Wolff, Ken-David Masur, Harvard Professor Anne Shreffler, BSO Artistic Administrator and Director of Tanglewood Anthony Fogg, and BSO Archivist Bridget Carr will be featured speakers. The second “Leipzig Week in Boston” (November/December 2018) will feature the BSO in a performance of Bach’s Christmas Oratorio, in celebration of the great musical traditions of Bach cantata and oratorio performances in Leipzig, where Bach’s own musical activities were centered for many years. These performances will be accompanied by displays of historic materials from the Leipzig Bach Archive and panel discussions on the traditions of Bach performance in the United States. With a special focus on Tanglewood, the BSO’s summer home in the Berkshires of western Massachusetts, the second “Boston Week in Leipzig” (August/September 2018), will feature music of Leonard Bernstein, who was a major presence at Tanglewood throughout his career. In celebration of the 100th anniversary year of his birth, programming will include Three Meditations from his Mass, with cellist Yo-Yo Ma as soloist. Accompanying exhibits and panel discussions will focus on the Tanglewood experience to help familiarize Leipzig concertgoers with the BSO’s acclaimed music festival. Additional repertoire to be performed by the GHO includes Bartók’s Concerto for Orchestra, commissioned by Serge Koussevitzky for its BSO premiere, and the European premiere of a BSO/GHO co-commission by Sean Shepherd. Mr. Ma will also be soloist in Shostakovich’s Cello Concerto No. 1. Christoph Wolff to Serve as an Artistic Advisor for the BSO/GHO Christoph Wolff, Adams University Professor at Harvard University, former Director of the Bach Archive in Leipzig (2001-13), and author of numerous acclaimed texts on the history of music from the 15th to 20th centuries, will serve as an artistic advisor to the BSO/GHO Alliance. In that capacity, Mr. Wolff, working closely with archivists and historians at the BSO and GHO, will oversee the creation and presentation of multimedia/film presentations; he will also oversee panel discussions with musicians, historians, and archivists close to these organizations, offering fascinating insights into the stories and accomplishments that make these two institutions legendary. Boston Symphony Orchestra /Gewandhausorchester Musician Exchange Program Starting in 2018, another highlight of the BSO/GHO Alliance will be a musician exchange program offering musicians from each orchestra a rare opportunity to spend 3-6 months performing with its partner orchestra in the latter’s home city. BSO musicians participating in the exchange program will immerse themselves in the many activities of the GHO, including weekly subscription concerts with the GHO, regular concerts with the Leipzig Opera, and Sunday performances of Bach cantatas at St. Thomas Church, where Bach served as Thomaskantor, composing weekly cantatas from 1723 through 1750, the year of his death at age 65. GHO musicians who participate in the exchange program will perform with the BSO during their weekly subscription concerts, perhaps also taking part (depending on the timing of their visits) in performances during the Boston Pops spring season and Tanglewood summer season. Though final details are still being worked out, the musician exchange program will be offered to strings, wind, brass, and percussion players of each orchestra. BSO and GHO to Partner on Impressive Co-Commissioning Program The BSO/GHO Alliance, under the leadership of Andris Nelsons, will feature a series of co-commissions, with new works presented each year of the partnership, starting with works by German composer Jörg Widmann and American composer Sean Shepherd to be premiered in Boston and Leipzig in the 2017-18 season. During the 2018-19 season, additional composers to be featured in the BSO/GHO Alliance co-commissioning program include American composer Sebastian Currier, who will compose a violin concerto to feature Baiba Skride as soloist, and Latvian composer Andris Dzenitis, who will compose an orchestral work in honor of Latvia’s centenary year of 2018. The co-commissioning program will also feature new works by several other prominent composers in subsequent seasons, details of which will be announced at a later date. Major Tour Performances by BSO in Leipzig and GHO in Boston A highlight of the BSO/GHO Alliance—sure to be greatly anticipated by Boston and Leipzig audiences alike—is an opportunity for Boston audiences to hear the Gewandhausorchester live in Symphony Hall and for Leipzig audiences to hear the BSO in Leipzig’s Gewandhaus. To that end, major touring and performance initiatives will include a performance of Mahler’s Symphony No. 3 by the Boston Symphony Orchestra in Leipzig in September 2018 as part of a late-summer European tour, and a residency by the Leipzig Gewandhausorchester in Boston in October 2019. The latter will include a special joint concert featuring the combined orchestras in a large-scale symphonic work, as part of the BSO’s 2019-20 subscription season. Additional European touring activities and shared presentations are being developed for spring 2022. First-ever Musician Exchange Program Between Tanglewood’s and Leipzig’s Acclaimed Music Academy programs One of the major highlights of the BSO/GHO Alliance will be a musician exchange program between the Tanglewood Music Center (TMC) and the Mendelssohn-Orchesterakademie (MOA), two of the world’s most acclaimed training programs for classical musicians. This first-ever exchange program between the TMC and MOA will be initiated in summer 2018, with several instrumentalists from the famed Leipzig academy becoming Fellows at the Tanglewood Music Center, where they will participate in master classes and be featured in orchestral and chamber performances. In spring 2019, a TMC Composition Fellow and TMC Conducting Fellow, chosen from a recent TMC class, will have an opportunity to travel to Leipzig to work closely with Andris Nelsons in residencies with the GHO. The TMC Composition Fellow chosen to participate in the Leipzig residency will be offered a commission for a chamber orchestra work, to be performed during her or his time in Leipzig. The TMC Conducting Fellow will be given an opportunity to lead a performance with an ensemble of the GHO and Mendelssohn-Orchesterakademie players. BSO/GHO MUTUAL HERITAGE; WORKS CLOSELY ASSOCIATED WITH EACH ORCHESTRA The history of close cultural connections between Boston and Leipzig began in 1881, when the Boston Symphony Orchestra’s founder, Henry Lee Higginson, appointed Leipzig Conservatory-trained Georg Henschel as the BSO’s first conductor. Subsequent conductors of the BSO, including Wilhelm Gericke, Emil Paur, Max Fiedler, Karl Muck, and particularly Arthur Nikisch, were either educated in Leipzig and/or held posts with the Gewandhausorchester. In the mid-20th century, the Leipzig tie was reinforced when Charles Munch was BSO Music Director from 1949 to 1962. Munch, who studied in Leipzig, was concertmaster of the Gewandhausorchester from 1926 to 1933. Symphony Hall in Boston, which was inaugurated in 1900, is not simply a replica of the historically renowned second Gewandhaus that opened its doors in 1884 and was destroyed in 1944. Mr. Higginson had visited the Leipzig concert hall while touring Europe and had instructed his team of architects to design a larger version of the Gewandhaus, with as many as 2600 seats. Boston’s new hall also added the latest acoustic principles to the overall design of its Leipzig counterpart. These acoustical principles played a major role in determining the size of the stage and the placement of sound-absorbing statues in the auditorium, among other features. In 1974, the Gewandhausorchester appeared in Boston’s Symphony Hall during its first tour of the United States. To date, Boston has welcomed the Gewandhausorchester for ten guest performances, including its most recent appearance in the 2014-15 concert season. While the BSO made its debut appearance at the Gewandhaus in May 2016, the Leipzig hall featured the Boston Youth Symphony Orchestra, affiliated with the BSO, in 2008 during its European tour. Since its founding in 1743, the GHO has been associated with some of the greatest figures of music history, including Johann Sebastian Bach, who lived and worked in Leipzig from 1723 until 1750, the year of his death at age 65. In addition to the GHO’s widely known reputation for performances of the works of Bach, the orchestra also gave the premieres of works by such luminaries of classical music as Beethoven, Schumann, Mendelssohn, and Brahms. This tradition has continued into the 20th and 21st centuries with scores by such significant composers as Henze, Kancheli, and Rihm, among others. The BSO’s own compositional legacy is similarly without parallel, including some of the seminal scores of the last century from composers ranging from Stravinsky, Prokofiev, and Bartók, to Messiaen and Dutilleux, and myriad Americans including Copland, Bernstein, Sessions, Carter, and Harbison, among others. Second Leipzig Gewandhaus ca 1884 The post Orchestras Without Borders appeared first on The Boston Musical Intelligencer .

Joe's Concert Reviews

February 28

London Philharmonic Orchestra – Vladimir Jurowski, conductor; Patricia Kopatchinskaja, violin. February 27, 2017.

David Geffen Hall at Lincoln Center.  Orchestra (Seat Y104, $58). ProgramSummer Night in Madrid (Spanish Overture No. 2) (1848-51) by Glinka (1804-1857).Violin Concerto No. 2 in G minor (1935) by Prokofiev (1891-1953).Symphony No. 1 in D minor (1895) by Rachmaninoff (1873-1943). I have always enjoyed Prokofiev’s second violin concerto ever since I was made aware of it by my violin teacher some 50 years ago.  We heard Rachmaninoff’s second piano concerto last Saturday; among other things, it is known as the piece the composer wrote after a disastrous performance of the first symphony, the piece on tonight’s program.  Glinka is considered the first significant Russian composer, having received most of his music training in Italy and Germany, since there was yet no Russian conservatories.  All the ingredients to a great program.  And the conductor is Russian. High expectations sometimes lead to disappointments.  By many objective standards tonight’s performance was great, but it was not quite up to the standard I expected. The biggest disappointment is with the Prokofiev concerto.  The first notes were played by the violin, unaccompanied.  In her desire to made it sound simple, she played them without using vibrato.  A great violinist will be able to get the pitches right, others will use vibrato to hide the intonation problems.  Alas, the soloist thought she belonged in the “great” category.  While the intonation problems by-and-large went away, the bad impression stuck with me.  The other disappointment is in the weak sound of the solo violin.  We had heard Kopatchinskaja a couple of years ago, performing in the Mostly Mozart Festival, and I had a similar complaint.  A slight surprise was she had the score in front of her, which she referred to quite often.  It didn’t seem to get into her playing, though. The other harsh remark I wanted to make about Kopatchinskaja is that she isn’t greatgood enough to pull off the eccentricity she wants to pull off.  The first thing you noticed was she didn’t wear any shoes.  From our seats in Row Y she seemed to be wearing a tuxedo.  On closer look with the help of binoculars, the pants were ill fitting, and the jacket showed the seams of a preliminary fit, with several cuts on the back.  All that brought to mind another eccentrically dressed violinist: Nigel Kennedy. When I saw Nigel Kennedy in Australia a few years back, I admired him for sharing the encore stage with other performers.  Tonight, Kopatchinskaja shared the second encore with the concertmaster.  The first encore was a modern piece (to the best of my knowledge, something she wrote) that incorporated a lot of vocal on her part. Kopatchinskaja with the Concertmaster after the second encore. In preparation for the concert I looked at the score.  Turned out I thought it was Concerto No. 1, so it was for naught.  However, it was interesting that Prokofiev purposefully made Concerto No. 2 simpler; it sounded complicated enough, but was indeed easier to follow than the first.  Unfortunately for tonight the following was mostly done with the left brain rather than the right – the soloist managed to drain the emotion out of it. My reservation that my complaint about the acoustics of the seat was dispelled by the Rachmaninoff symphony.  Here I had another issue: it was too loud, way too loud.  Whom I really felt bad for were the musicians sitting on stage, especially the ones in front of the percussion and brass sections.  I hope they all wore ear protection.  Nonetheless, it was impressive the sound a full orchestra could make (a smaller ensemble was used for the first half.) While I knew that the horrible reviews for this symphony drove Rachmaninoff into despair, I didn’t know that it was conducted by (a probably drunk) Glazunov, and that it was not performed again in Rachmaninoff’s lifetime  The score was discovered two years after the composer’s death. There is no reason to disparage the symphony – Cesar Cui referenced “a conservatory in Hell” – but it remained a bit inscrutable to me.  The first three movements were easy enough to follow, but when it got to the fourth movement, I began to lose concentration, perhaps it was a bit too long by then.  The audience loved it, though, jumping up to give Jurowski a standing ovation at the conclusion. The London Philharmonic Orchestra after performing the Rachmaninoff Symphony.  It is a large organization. The program began with a Spanish-themed piece by Glinka.  The short 10-minute piece contains quite a few episodes.  I thought I would know at least some of the tunes – I didn’t.  It was enjoyable, and demonstrated the great sound and precision of the orchestra. This was the first time we saw Vladimir Jurowski in person.  He conducted with energy and precision, sometimes with exaggerated movement.  We had seen his brother Dmitri in Hong Kong a couple of years back. The concert began at 8 pm, a bit late for a weekday concert.  Traffic was okay both ways, and we had a simple dinner at Francesco Pizza before the event.

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